Online Conform & QC

Here is how this works in practice. We deliver online conform and quality control as the final tech stage before mastering, rebuilding the offline edit at full resolution and checking that the result meets each delivery need. Our team relinks first camera files, conforms the cut from EDL or XML, integrates VFX shots, titles and graphics, and resolves the frame-accurate detail that an offline cannot show — speed ramps, blends, effects and reframes.

Here is the layout. On the ground, QC then checks the master systematically: scopes and broadcast-legal limits, audio sync and loudness, captioning and subtitle placement, and a frame-by-frame review for dropouts, artefacts and conform errors. Morocco's post sector handles this work in-country alongside edit, sound and colour, and we set up with global shoots whose VFX finishing may be completed abroad so the elements arrive ready to conform cleanly.

Here is the short of it. Conform and QC underpin trusted delivery across Morocco's release paths. A clean conform is the basis for DCI-compliant Digital Cinema Packages bound for the Marrakech Global Film Festival. The National Film Festival in Tangier, for broadcast masters delivered to 2M and SNRT specs, and for streaming deliverables checked against sites tech needs. Multilingual delivery is standard here — Arabic, French and English versioning. With subtitle and caption tracks that QC must check for timing and placement.

Here is how the work shapes up. On the ground, Careful quality control catches problems before a master reaches a distributor or festival, where a rejected delivery means costly delay. Moroccan cinema. This includes Cannes-selected work such as Maryam Touzani's 'The Blue Caftan', is finished to exacting global standards, and we apply the same discipline so each conformed master passes QC against the precise specs its distribution partners need.