Format Conversion & Encoding

Here is how this works in practice. We deliver format conversion and encoding as the practical bridge between a single OK'd master and the many versions distribution demands. Our team handles codec transcoding, standards and frame-rate conversion, raster and aspect-ratio changes, colour-space and dynamic-range mapping, and the creation of proxy, review and mezzanine files. Each output is built to a specific spec — a broadcast master, a streaming mezzanine, a screening file, a web deliverable — and verified against that need before hand-off. Productions wrapping post in Morocco's growing Casablanca and Rabat sector, as well as global titles finishing abroad, rely on accurate conversion so a film moves cleanly between each sites and area without quality loss or tech rejection.

Here is what we have to work with. Conversion work in Morocco serves a multilingual and multi-sites delivery chain. The same title may need a broadcast master for 2M or SNRT, a theatrical Digital Cinema Package for the Marrakech Global Film Festival, and a streaming-sites mezzanine for global release, each at different codecs, frame rates and colour standards. Arabic, French and English versioning is standard, so encoding routinely involves many audio and subtitle configurations carried correctly across each output. Careful colour-space and HDR-to-SDR mapping protects the look set up in the grade as a film moves between standards. We help global and local shoots produce in tech correct, well-logged deliverables, encoded to the precise specs each TV networks, festival and sites needs.