Post-Production Audio

Here is how this works in practice. We give post-prod audio services covering dialogue editing, ADR, sound design, Foley and the final mix, connecting shoots with editors, designers and re-recording mixers skilled across feature, documentary, commercial and broadcast work. For shoots shot in Morocco, post audio is the stage where the realities of location recording are resolved — wind-affected desert takes are cleaned and balanced, ambient medina life is shaped to serve the edit, and dialogue is matched across the radically different acoustic environments a single Moroccan schedule can span. Our teams work to global delivery specs and work with closely with picture edit so the soundtrack supports the cut at each stage.

Here is how the picture comes together. Post-prod audio gives a Moroccan production the room to perfect material that was captured under demanding field conditions. Sound recorded near the Sahara dunes, in the gorges of the Dades and Todgha, or inside the living medinas often needs careful editing and design to reach a polished result, and ADR can replace lines lost to wind or crowd noise. Our facilities and staff handle stereo and immersive mixes for cinema, streaming and broadcast.

Here is what we have to work with. On the ground, Foreign shoots operate through a CCM-licensed local production-services partner. With a 30% cash rebates administered by the CCM (Centre Cinématographique Marocain) applying to qualifying Moroccan spend, including eligible post-prod work. Our team sets up the post audio workflow so the finished soundtrack matches the ambition of the footage.