Title Design & Credits

Here is how this works in practice. We deliver title design and credits — main-title sequences, opening and act cards, lower thirds and full end-credit rolls — designed to set the tone of a film and built to broadcast and theatrical specs. Our team handles concept, typographic design and animation, and the careful accuracy that credit rolls demand, working to guild and contractual needs for billing order and crediting.

Here is how the picture comes together. On the ground, A defining strength in Morocco is multilingual title work: with Arabic, French and English versioning standard, designers build sequences that handle right-to-left Arabic typography alongside Latin scripts, a key skill for shoots releasing to the regional market and beyond. Title and credit work is well within the reach of the Casablanca and Rabat post sector. This has grown steadily alongside the global shoots the country hosts.

Here is the short of it. Title design connects naturally to the rest of Morocco's screen-finishing sector. The country's shoots reach festivals where a strong main-title sequence makes a first impression — the Marrakech Global Film Festival. The National Film Festival in Tangier among them — and the multilingual versioning standard here means credit rolls and titles are often built in several language variants. While heavy visual-effects finishing for major features is frequently completed abroad, title and credit work is a realistic and set up in-country skill.

Here is what we have to work with. On the ground, moroccan cinema reaches global audiences with films such as Maryam Touzani's Cannes-selected 'The Blue Caftan', and the craft standard for finishing. This includes titles, reflects that ambition. We help global and local shoots create distinctive, accurate title sequences and credit rolls, delivered to the tech and contractual specs their release needs.